Monthly Archives: July 2008

Digital Kicks 024

01. Beautiful Summer Day – Mother
02. 54B – Mudd
03. Back In The Days – The Defloristics
04. Midnight Surprise (Radio Edit) – Lightspeed Champion
05. Down But Not Yet Out – Felt
06. This Charming Man (New York Vocal Version) – The Smiths
07. Hands In The Dark – The Chromatics
08. Rolling Down The Hills – Glass Candy
09. Where Are You – BRS
10. Food Stamps – Leaf
11. Boxe Et Violence – Daniel J White
12 Swan – Tomboy
13. Brain Leech – Alex Gopher
14. Why Don’t You Take Us – Sky King
15. Don’t Take Your Love – The New Sounds
16. Around And Around – Chuck Berry
17. I’ll Never Get Out Of This World Alive – Hank Williams
18. I Get A Kick Out Of You – Frank Sinatra

Set the controls for here to listen to this mix.

Beautiful Summer Day – Mother
This space has intentionally left blank.

54B – Mudd
Recorded by Paul Murphy (AKA Mudd), released by Rong Music, compiled by Tom Middleton and featured on Renaissance 3D, this tune is a cracker.

A perfect example of ‘chilled out’ music that doesn’t make you want to go to sleep and proof that Mr Middleton is a master at finding and presenting some of the best music around.

Back In The Days – The Defloristics
The Defloristics are Robert Hardt and Harry Zier. They began their careers working with artists like Chaka Khan and Keith Sweat. But now they deliver chilled, polished, electronic Jazzy breaks infused perfectly with Deep House.

This song (and the accompanying album) is an example of music that does not disappoint but that you are unlikely to come across without a recommendation. Well, now it has been recommended. Essential late-night listening.

Midnight Surprise (Radio Edit) – Lightspeed Champion
Devonte Hynes used to be in a band called Test Icicle. But then he changed directions entirely.

In early 2007, he went to Omaha, Nebraska to record his solo debut album with one of the members of Bright Eyes. He stayed for a few months and hung out in a guest house. Lots of musicians came by and they all ended up playing on the resutling album, ‘Falling Off The Lavender Bridge’.

According to Hynes, the album consists of two halves, mixing both dreams and life experiences. This Radio Edit of ‘Midnight Surprise’ is a shortened version of the ten minute track that features on the album.

Down But Not Yet Out – Felt
Ten singles. Ten albums. Ten years.

This is the history of the band Felt. They were from Birmingham, recorded for the labels Cherry Red & Creation and influenced numerous bands, including Belle & Sebastian.

Their sound, defined by an atmospheric, delicate guitar playing, is a perfect example of the Indie scene captured by NME on the C-86 compilation.

This Charming Man (New York Vocal Version) – The Smiths
Arguably, ‘This Charming Man’ is the best and most popular Indie tune of all time.

This version is from the original vinyl release and is a stretched-out, slightly altered remix by the House legend Francois K. Thankfully, he gets it just right and manages to remix the song without losing the plot.

Very good and very obscure.

Hands In The Dark – The Chromatics / Rolling Down The Hills – Glass Candy
Two songs. One compilation. ‘After Dark’ highlights artists who have embraced Italo-Disco, Giorgio Moroder-style, synthesizer music following the Dance-Punk and Electroclash trends.

Creating real atmosphere without the cheesy Eurodisco element, these are two of the stronger tracks from the collection.

Where Are You – BRS
This BRS does not stand for Bristow Group, Ballistic Recovery Systems, British Racing School, Brotherhood Of Railroad Signalmen or the Bureau Of Rural Sciences.

This BRS stands for British Rhythm Services, who formed in 1998. They are DJ Ben Vacara, Rob Evans and Mr Mulatto. They make Downtempo, Deep House like this song that is from the album ‘Gravity’, released in 2002.

Food Stamps – Leaf
Using the leaf as a stamp, press it down carefully onto the white paper. Hold it in place and gently rub the construction paper so that all areas hit the white paper.

Carefully remove the stamp and repeat this process with your other leaves and colors.

Allow to dry completely.

Boxe Et Violence – Daniel J White
Thanks to Mr Thing this little underground break has been restored from obscurity on ‘Strange Breaks & Mr Thing’. It is 116 seconds of pure groovy jazziness.

Swan – Tomboy
Tomboy is Danish producer Tomas Barfod. He makes seriously funky little biscuits like this one. When he’s not busy producing, he plays drums for WhoMadeWho.

Brain Leech – Alex Gopher
Alex Gopher entered the music scene in a pop band known as Orange. He played alongside Etienne De Crecy, Nicolas Godin and Jean-Benoit Dunckel. When they broke up, they all sold their guitars to buy turntables. De Crecy and Gopher released the infamous French Touch compilation ‘Super Discount’, while Godin and Dunckel formed Air.

After enormous amounts of success with ‘You My Baby And I’ and ‘Wuz’, it seems that Gopher decided to sell his turntable to buy a guitar. The result is this song, which appears on his 2006 self-titled album.

Why Don’t You Take Us – Sky King
Another little beauty uncovered by Mr Thing and included on his strange breaks compilation.

Don’t Take Your Love – The New Sounds
Wigan. Empress Ballroom. Mike Walker. 1973-1981. Northern Soul. Queues around the corner. All nighters. ‘3 before 8’. Drugs. Downfall. Thousands of compilation CDs.

Around And Around – Chuck Berry
This tune was originally released as the B-Side to Johnny B Goode in 1958, which was an autobiographical tale of a coloured boy, who could “play a guitar just like ringing a bell”.

Rolling Stone magazine ranked ‘Johnny B Goode’ as the 7th Greatest Song of All Time and it was chosen as an achievement of humanity for the collection of artifacts placed in the Voyager space craft.

On the flip side, ‘Around And Around’ describes how “the joint was rockin” and has been covered by David Bowie, The Rolling Stones and The Greatful Dead among other artists.

I’ll Never Get Out Of This World Alive – Hank Williams
Indeed he didn’t.

This was the last single to be released during his lifetime and it reached Number 1 in the Country Singles chart posthumously in January of 1953, after his mysterious death.

I Get A Kick Out Of You – Frank Sinatra
‘I Get A Kick Out Of You’ was originally written by Cole Porter in 1934.

This was the first version that Sinatra recorded in 1953 just before his Oscar-winning role in ‘From Here To Eternity’. After this his career would take off and his life would never be the same again.

Rewind – Seven.0

July – In Rock History

Number One Songs

1961 Runaway – Del Shannon
1964 I Get Around – The Beach Boys
1965 (I Can’t Get No) Satisfaction – The Rolling Stone
1967 All You Need Is Love – The Beatles
1970 (They Long To Be) Close To You – The Carpenters
1974 Rock The Boat – Hues Corporation
1975 The Hustle – Van McCoy
1979 Are ‘Friends’ Electric? – Tubeway Army
1981 Ghost Town – The Specials
1982 Eye Of The Tiger – Survivor
1984 When Doves Cry – Prince
1988 Dirty Diana – Michael Jackson
1991 Unbelievable – EMF
1992 Baby Got Back – Sir Mix-A-Lot
2001 Another Chance – Roger Sanchez
2003 Crazy In Love – Beyonce
2004 Lola’s Theme – Shapeshifters
2006 Smile – Lily Allen


The very first British DJ, Christopher Stone, begins broadcasting his record show from BBC Studios in Savoy Hall. His style is relaxed and conversational, despite the fact that he is wearing a dinner jacket and tie while presenting on the air.


Elvis records several songs including, ‘That’s Alright’ in his very first Sun Studios session. Despite being unimpressed, Sam Phillips had organised the session with a couple of other musicians. During a break Elvis starts to ‘fool around’ and sings the Arthur Crudup song. Phillips asks the group to start again and begins taping. The sound is exactly what Phillips has been looking for (someone who could deliver a blend of black blues and boogie-woogie). The song is recorded with several others. Less than two weeks later it is played on the radio for the first time. The rest is history…


John Lennon meets Paul McCartney at a church picnic in the Liverpool suburb of Woolton, where John’s band, The Quarrymen are playing. In between sets, the 14 year old McCartney picks up the guitar and plays one of Lennon’s favourite tunes. He also knows all of the words and writes them down for John, who is bad at remembering lyrics. Several weeks later McCartney is asked to join The Quarrymen. He says ‘yes’.


Billie Holiday dies in a New York hospital from cirrhosis of the liver at the age of 44. She was placed under house arrest at the hospital five days earlier for drug possession. Having been swindled out of large sums of money, she passes away with only 70 cents in her bank account and 750 dollars on her person.


Bob Dylan performs an electric concert for the first time at the Newport Folk Festival. He is booed offstage after only three songs.


Led Zeppelin lose more than 180,000 dollars in cash when a thief steals their safe deposit box that contains the money earned from two concerts in Madison Square Garden. The concerts were filmed, however, and released three years later as the film ‘The Song Remains The Same’.


Pressings of the Rolling Stones album ‘Some Girls’ is halted when the celebrities featured on the cover, including Lucille Ball, Farrah Fawcett and Raquel Welch, complained. Legal action is threatened, so the celebrity images are removed and replaced with the faces of the band members.


‘Every Breath You Take’ by The Police spends the first of eight weeks at the top of the Billboard Singles chart in America. Sting would go on to win ‘Song Of The Year’ and The Police would win ‘Best Pop Performance by a Group’ at the 1984 Grammys. 25 years later and Sting is still making around 2000 dollars a day in royalties for the song.


Live Aid takes place simultaneously at JFK Stadium in Washington DC and Wembley Stadium in London. Bob Geldof organises the event, which includes over 18 hours of concerts, to raise money for starving people in Ethiopia.


CDs begin to outsell vinyl records only six years after being introduced to the music market.


Guns ‘n’ Roses singer, Axl Rose, jumps off stage and attacks a fan videotaping their concert outside St. Louis. A riot ensues, more than 60 people are injured and the venue is wrecked.


The Grateful Dead perform their last concert with leader Jerry Garcia at Soldier Field in Chicago.

Yo! Kub Raps

Memba them good ol’ Yo! raps…  

01. Weak Become Heroes $ The Streets
02. Still A G Thang $ Snoop Dogg
03. My Name Is (Explicit Version) $ Eminem
04. Can It All Be So Simple $ Wu-Tang Clan
05. 21 Questions $ 50 Cent
06. Accordion (Fourtet Mix) $ Madvillain
07. It Was A Good Day $ Ice Cube
08. That’s The Joint $ Funky 4 + 1
09. Straight Out Of The Jungle $ Jungle Brothers
10. Montego Slay $ People Under The Stairs
11. Life’s A B***** $ Nas
12. Coming Of Age $ Jay-Z
13. Hate It Or Love It $ The Game ft 50 Cent
14. Pop Shots $ Ol’ Dirty Bastard
15. Hypnotize $ Notorious BIG
16. Pop Goes The Weasel $ 3rd Bass
17. Fight The Power $ Public Enemy
18. Touch The Sky $ Kanye West
19. Baby Got Back $ Sir Mix-A-Lot
20. More Bounce To The Ounce $ Zapp
21. Small Talk At 125th & Lenox $ Gil Scott-Heron

Weak Become Heroes $ The Streets
This track is from the 2002 album ‘Original Pirate Material’ and is sung / rapped by a twenty-something white kid named Mike Skinner from Birmingham who sings / raps with a ‘mockney’ accent.

The album blends Electronica, UK Garage and Hip Hop with Skinner’s take on what-was-then modern day living and clubbing. Even the Rock and Indie peeps liked it.

Even though it really should not work, it does. Who says white men can’t rap?

Still A G Thang $ Snoop Dogg
Some things you may not have known about Snoop:

* Snoop was nicknamed Snoopy by his mother.
* He was born in Long Beach, CA.
* He was playing the piano at the age of five.
* He began rapping when he was in the sixth grade.
* He was a member of the Crips.
* His cousin is Nate Dogg and his best friend is Warren G.
* He was discovered by Dr Dre when he heard a mixtape with En Vogue’s ‘Hold On’ that was rapped over by Snoop.
* He was taught how to structure lyrics and separate his songs into verses, hooks and choruses by The DOC from NWA.
* ‘Snoop Speak’ was based on words in the song ‘Double Dutch Bus’ by Frankie Smith.

Izzle kizzle, fo’ schizzle. My nizzle, what you sizzle?

Fo’ schizzle bizzle, my nizzle…

My Name Is (Explicit Version) $ Eminem
Dr Dre produced this song and the album ‘The Slim Shady LP’ in 1999. He wanted to use the Labi Siffre song ‘I Got The…’ as the basis for the rhythm of ‘My Name Is’ but Siffre refused when he heard the lyrical content.

He felt that Eminem was taking the easy way out and attacking the usual scapegoats in his rhymes. Eminem took the criticism on board and rewrote the lyrics. Siffre cleared the sample.

A ‘clean’ version was released as a single and on subsequent compilations and this explicit version was the one contained on the album. It was Eminem’s first major success and helped him establish his unique style.

Can It All Be So Simple $ Wu Tang Clan
Witty Unpredictable Talent And Natural Game…

This is the third single lifted from ‘Enter The Wu-Tang Clan (36 Chambers)’ and is considered a classic by most fans of the group.

It features Raekwon and Ghostface discussing the hardships of growing up in New York in the 1980s and rapping over a sample of ‘The Way We Were’ by Gladys Knight & The Pips.

21 Questions $ 50 Cent
Even the toughest of rappers have a soft side. It seems.

Here is an apparent conversation that took place between Fiddy and Dre in the studio during the recording of ‘Get Rich Or Die Tryin’:

Dre: “How you gonna be gangsta this and that and then put this sappy love song on?”
Fiddy: “I’m two people. I’ve always had to be two people since I was a kid to get by. To me that’s not diversity, that’s necessity.”

I’m sure both Fiddys were delighted with this song. It was Number 1 in nearly every Singles chart in America and placed in Singles charts in sixteen other countries.

Accordion (Fourtet Mix) $ Madvillain
MF Doom and Madlib are Madvillain and they take a very unique approach to Hip Hop. They write short songs with obscure lyrics that contain few choruses and are generally ‘unfriendly’ to radio stations.

Foutret got their hands on this track and made it slightly more melodic. All the other awkwardness remains.

It Was A Good Day $ Ice Cube
Ice Cube was born O’Shea Jackson and began his career as a founding member of NWA, one of the groups that helped originate Gangsta Rap.

In 1992 he converted to Islam and slowly began to drift away from hardcore Rap and focused more on acting.

That same year he released ‘The Predator’, which contained this song. The album was recorded during the height of the LA riots and went straight to Number 1 in both the Pop and R&B Album charts. It was the first album to ever reach the top spot in both charts.

The track contains a sample of ‘Footsteps In The Dark’ by the Isley Brothers and was written as a reflection on the good times that he had during his rise to fame and wealth.

Despite being his biggest, most successful song, he lost a lot of credibility and his audience began to diminish after this song and album.

That’s The Joint $ Funky 4 + 1
They formed in 1979 and were the first Hip Hop / Rap group from The Bronx, New York.

They featured a female MC, Sha Rock.

After the success of ‘Rappin’ And Rockin’ The House’, when most of the group were only 17, they released this track on Sugarhill Records in 1980.

They were also the first Hip Hop group to appear on national television when they were guests on ‘Saturday Night Live’ in 1981.

Unfortunately, differences with the record label led them to split and quickly disappear into obscurity.

Sugarhill Gang may have followed and been bigger and better. But these guys were first. And first is forever.

Straight Out Of The Jungle $ Jungle Brothers
The Jungle Brothers were first off the mark with a couple of things.

They pioneered the fusion of Jazz and Hip Hop that later went on to form the basis of Drum ‘n’ Bass.

They were also the first Hip Hop artists to use a House music producer (Todd Terry) on their debut album ‘Straight Out Of The Jungle’.Their first few albums received critical acclaim but didn’t sell very many copies and were largely ignored by Hip Hop audiences. However, without them and their music, one could argue there would be no De La Soul or A Tribe Called

Montego Slay $ People Under The Stairs
Thes One met Double K in Los Angeles, they formed People Under The Stairs (or PUTS) and quickly started recording their first album, ‘The Next Step’.

They recorded it themselves and had to sell it on the street from backpacks until it was eventually released in 1998.

The head of OM Records, Chris Smith, heard it, gave them a deal and two years later they released ‘Question In The Form Of An Answer’.

The second album received a warm welcome and they began touring more intensely. Two years later they released OST, which provided twenty little gems, including this track.

Thes One described it as, “An album made up of old records and personal experiences. No more, no less.” Check it.

Life’s A B***** $ Nas
This tune is lifted from his first album, ‘Illmatic’, which features Pete Rock, Q-Tip and DJ Premier (among others).

On this laid-back, jazzy track, AZ raps with Nas and his father, Olu Dara, plays the cornet. It samples ‘Yearning For Your Love’ by The Gap Band and ‘Black Frost’ by Grover Washington Jr.

Seven years after it’s release, the album was certified platinum and was still selling over three thousand copies a week.

Coming Of Age $ Jay-Z
‘Reasonable Doubt’ is Jay-Z’s (Sean Carter’s) debut album and is considered, by some, to be his crowning achievement.

It has been classified as ‘Mafioso Rap’ because of the strong references to crime throughout all of the songs.

Production was handled by DJ Premier, Clark Kent and Ski. Kent worked on this track that contains a sample of ‘Inside You’ by Eddie Henderson.

‘Coming Of Age’, like all the tracks on the album, feature what have been called Carter’s “effortless, unaffected cool, disarming honesty and acrobatic rhymes.”

Pop Shots $ Ol’ Dirty Bastard
Enough Said.

Hypnotize $ Notorious BIG
‘Hypnotize’ was released in April of 1997, after Biggie Smalls had been killed. The song had been a huge hit on the radio and when the single was finally released, it went straight to Number 2 in the charts. A week later, it was Number 1.

Biggie became the fifth artist to have a Number 1 single in the charts posthumously. The track was also nominated for Best Rap Solo Performance at the 1988 Grammy Awards.

Pop Goes The Weasel $ 3rd Bass
This track was released in 1991, brought on by the success of white artists bringing Rap into the mainstream.

Ironically, the success of the song was due to the criticism of such white artists, in particular Vanilla Ice. The track attacks the artists for being culture thieves and watering down the sound of rap in order to make it more accessible to the mainstream audience.

‘Pop Goes The Weasel’ features elements of a JB’s song and a Stevie Wonder song as well as sampling ‘Eminience Front’ by the Who and ‘Sledgehammer’ by Peter Gabriel.


Fight The Power $ Public Enemy
Chuck D. Flava Flav. PE.

This track is considered by most to be PE’s defining song. Their anthem. It is also one of the most popular and influential Hip Hop songs of all time. It’s from the album ‘Fear Of A Black Planet’ and features in Spike Lee’s joint ‘Do The Right Thing’.

The classic lines from the song are:

Elvis was a hero to most But he never meant sh*t to me
You see, straight-up racist that sucker was simple and plain
Mother**** him and John Wayne

Yo! Bum Rush The Show.

Touch The Sky $ Kanye West
When you cross the sharpest dressed man in Hip Hop with the flyest brother in Soul, how could you NOT have a massive hit and sell millions of records?

From West’s second album, ‘Late Registration’, that Rolling Stone called, “an undeniable triumph” and Spin magazine described as, “ornate and bloated just like West’s ego”, comes ‘Touch The Sky’.

The song samples ‘Superfly’ by Curtis Mayfield and features Lupe Fiasco. The video is a short movie about Evel Kanyevel and his attempt to fly a small rocket across the Snake River Canyon.
Not bad for someone who dropped out of Chicago State University.


Baby Got Back $ Sir Mix-A-Lot
The original Bumpasauraus who hails from Seattle, Washington and introduced the world of Hip Hop to deep bass.

This track was his biggest. It won him fame and a Grammy Award for Best Rap Solo Performance in 1993. However, following this success he struggled to try and repeat it. Eventually, he fell out with his record label and disappeared for several years.

During the break, he apparently collaborated with The Presidents Of The United States but nothing was ever released.

Recently, he has been featuring as a guest on tracks for several artists, including Nas in 2007 with ‘Where Are They Now’.

More Bounce To The Ounce $ Zapp
Zapp were five brothers who formed a Soul and Funk band in 1978. This track highlights their style, hand-clapping drum beats and the use of a talk box.

The band only had a couple of hits but have influenced numerous artists in West Coast Hip Hop and G-Funk (Gangsta Funk).

Small Talk At 125th & Lenox $ Gil Scott-Heron
The Black Arrow is back on with another insightful, articulate, no-nonsense poem that spoke to the political consciousness of those in the know in the early 1970s.

Glastonbury 2008

Words: Mithrandir

Thursday 26 June

Well, it was due to extreme excitement that I was able to rouse myself from a lovely sleep at 4am to get the red-eye plane to Bristol this morning. A quick cab ride from the airport to Mr Campervan, a briefing of the do’s (empty the chemical loo) and the don’ts (break the loo door – D’Oh!)  of campervan rental. Paulo took the helm with his captain’s hat and we made a bee line for Asda. What a sight Asda was. We loaded up the van with all the essentials: beer, beer, some beer, some crisps and a wee tent for £7. This tent was to be the west wing of Campervan Mullen for the weekend, handy for wellies, jackets and general mud items.

Following an epic journey of about eight hours, which should normally have taken about an hour and a half, we arrived at Campervan central. There had been much confusion about tickets, van passes and also a junk yard fire that closed roads, causing mayhem amongst the festival staff. Of course, as soon as we arrived, the heavens opened up and the skies didn’t really clear until about 2 am.

Bravely, we donned our rain gear and wellies and trudged to the arena. The initial impression was like a scene from Platoon. It did get better as we strolled into the Solidarity bar and began our sampling of the wonderfully named Otter Bitter and Wherry Ale. There wasn’t a whole lot of music at this point so we decided to return to Casa Fiat Benimar for a good night’s kip.

Friday 27 June

Friday dawned dull and damp but most of the jackets had dried out, so out we went. We had a good stroll around, checking out the stalls and eateries, the favourite of which had to be the Pie Minister! Unlike the usual festivals in Ireland, the punters can bring as much drink in with them to the actual arena as they want. We of course, took full advantage, using backpacks laden with Boddingtons, Kronenborg and Carlsberg. I mean we were on holiday after all! We caught a little bit of Kate Nash and then the Dublin Band the Flaws. During this time we got a feel for the place and discovered which tents and stages were likely to be the best to hit. The Other Stage and the John Peel stage were the two that I found most bands I wanted to see would be playing on. I would have liked to venture up to the Park Stage but it just never happened.

Kate Nash – Nice cockney story telling tunes.
The Flaws – Good Dublin guitar band, who did a cheeky Editors cover.
Foals – Math Rock from England.
We Are Scientists – Brilliant tunes and interesting mid-song banter.
Young Knives – Excellent band, atrocious sound.
Ben Folds – The disappointment of the weekend. Some yoke from the Dresden Dolls came out and spoiled everything. We walked away in disgust. Truly awful. He should be ashamed of himself. (He does, of course, have a chance to redeem himself)!
Vampire Weekend – The heavens opened up and it didn’t matter once Mansard Roof came on.
Kings Of Leon – A truly great band. They barrelled through the tunes and showcased some newbies too.
Editors – One of the highlights. An amazing set. Nothing but the fast ones. The guitar riff from ‘Escape The Nest’ will live with me forever!

Saturday 28 June / Sunday 29 June

Saturday and Sunday’s weather was glorious in comparison to the previous two days. We had to wear hats and shades but there was no need for wellies. Moshing in wellies is tough on the calves and to be rid of them allowed lots more movement both upwards and sideways!

Gigs (Saturday):
The Black Kids – I didn’t know much about them but shall be getting the album, quite good.
Wombats – Brilliant scouse band. We caught about 20 minutes. Excellent stage.
Neon Neon – Mr Gruf and his Techno bleep friends. Spent most of the performance on a deck chair. Har Mar Superstar stole the show with his head stand singing.
Raconteurs – A masterclass in guitarmanship.
Band of Horses – Another highlight. They packed John Peel tent and I sang my heart out.
Futureheads – The Northern Englanders played a blinder. Paulo gave it socks as usual and received compliments on his exuberance from some of the crowd!
Massive Attack – A surprise, to be honest, considering the last time I saw them they were a bit dour and dreary. But one hell of a show with Zoo TV-esque propaganda screens. Plus, they had lasers.

Gigs (Sunday):
Black Mountain – Rumbling mammoth guitar rawk, with female vocals and an ‘Echoes’ era Floyd vibe.
Jape – The wee man from Crumlin did a cheeky 30 minute set, which left everyone wanting more.
Elbow – Ah, Elbow. The band of the moment. They did an intimate gig in the Q tent. Mirrorball-tastic.
Goldfrapp – Not usually my cuppa but a good set with pole dancing wolves!?
Stars – Canadian collective with ties to Broken Social Scene.  I really liked this.
Bluetones – Ah, they never let you down.
The National – Closed the festival and they just keep getting better and better.  Mad violinist.

Passing glimpses – Gilbert O’Sullivan (quite good). Fratellis (muck). Newton Faulkoner (surprisingly good). Jack Penate (my head was possibly a bit mush for this one)!

There were only had two celebrity moments. The first was when we were walking along and one of the Futureheads walked by us but we couldn’t think of his name or which instrument he played, so we couldn’t ask him to come back. We also saw Edith Bowman pass by in a car.

Over the weekend I got to see many, many bands. Of the ones I missed I think I’d like to have seen Leonard Cohen and The Last of the Shadow Puppets but I’m more than happy with my tally. Especially as we were talking to an Irish guy who apparently had only seen four bands – yep four!!!

Campervanning is definitely the way to go when the weather is as changeable. It’s a bit on the pricey side but well worth it. I would go for a slightly bigger van next time and one with heavy duty bathroom door hinges! But other than that it was fine.

While some people said the line up wasn’t the best, I didn’t agree. It had all the elements that I like and there were very few clashes. Glastonbury is really about the vibe and to be honest it didn’t disappoint. It’s like no gig or festival I’ve ever been to. There is no tension, aggro, hassle or trouble. There are genuinely friendly people there for the music, sights, sounds and tastes.

I am 100% definitely going back. Maybe 2010…

Scroll Call – July 2008

Kub is hearing:

All Mine – Portishead
Books From Boxes – Maximo Park
Controversy (Album Version) – Prince
Don’t You Go – Dee Nasty vs Playin’ 4 The City
Every Conversation – The June Brides
Feel Like Makin’ Love – D’Angelo
Gadget Funk – The Herbaliser
He Said (Instrumental Mix) – Suntrust
I Know Someone Who Knows Someone Who Knows Alan McGee Quite Well – The Pooh Sticks
Jesus Gave Me Water – The Five Blind Boys Of Mississippi
Kids – MGMT
Loving By The Pound – Otis Redding
My Brother Thinks He’s A Banana – Barry Louis Parker
Not Just Anybody – Rae & Christian ft Kate Rogers
Obscured By Clouds – Pink Floyd
Pills – Bo Diddley
Rock Island Line – Leadbelly
She Works Hard For The Money – Donna Summer
This Charming Man (Original Single Version) – The Smiths
Untitled – Bruce Springsteen
Vegetarian Restaurant – Aberfedly
Wreck My Flow – The Dirtbombs
Your Place – Zero 7

Mithrandir is hearing:

Eclipse – Pink Floyd
North American Scum – LCD Soundsystem
Ode To LRC – Band Of Horses
On A Day Like This – Elbow
Rebel In You – Supergrass
Turn Tail – The Young Knives
U-Turn (Lilli) – Aaron
Won’t Get Fooled Again – The Who

Meet Mithrandir

I am very pleased to announce that the wise Mithandir will begin making regular contributions to

Don’t let his age, grey hair and long robes fool you.  He is the man with the ZZ Top beard and he knows good music when he hears it.

Thankfully, he will be sharing, if not imparting, his vast musical knowledge on all of us starting this month.

He will be giving us a look into what is on his iPod and telling us what albums he is currently shaking his staff to.  He also spent last weekend at Glastonbury and he just may tell us what he liked and didn’t like…